Tools: Emotional Connection in Fiction Part 2

photo of compartments under the lid of a piano, paintboxes, brushes, sewing things
A piano with built-in toolboxes for sewing and putting on make-up. Andreas Landschütz, 1820. MAKK museum in Cologne. © Laurel Decher, 2017.

Last week I wrote about the challenges of making your reader feel the emotions of your main character. This week, the thrilling conclusion.

Challenging feedback doesn’t have to derail your writing. I’ve got tools for us. 🙂 Just don’t try to use the whole toolbox for every scene. That way lies ruin. *cough*

book cover for Karl Inglesias' Writing for Emotional ImpactKarl Iglesias’ Writing for Emotional Impact. There are SO many powerful tools in this book that you’re sure to find a way to add that zing.

Appetizer: Six techniques from this book with examples from Nancy Cavanaugh’s middle grade This Journal Belongs to Ratchet in this blog post. Download my infographic six ways to reveal character here.

Book cover for Mary Kole's Writing Irresistible KidlitMary Kole’s Writing Irresistible Kidlit. A variety of craft advice all in one place. It’s aimed at the children’s book author, but much of it is applicable to all fiction. Her Emotional Plot made me understand that story circumstances = emotion.

 

 

Book cover for The Emotion ThesaurusAngela Ackerman and Becca Puglisi’s The Emotion Thesaurus. This is the ultimate grocery store for thoughts, physical reactions, body language, and facial expressions. An excellent starting point to build in body language and thoughts that show the reaction your character is trying to hide from everyone else. Right after you let the reaction leak out, then you can show the character hide it.

Appetizer: Read more about how to use it at the Winged Pen.

 

book cover for K.M. Weiland's Structuring Your NovelK.M. Weiland’s Structuring Your Novel has the clearest explanation of how to construct character reactions I’ve seen. When readers internalize what the main character wants, they can identify with them. The clearest way to get emotion across is to show your character’s thinking.

Appetizer: My infographic based on K.M. Weiland’s book is here.

And there are two new recent books I haven’t read, but they are both on my wishlist! I’m promising myself one of them as a prize when I finish the revision of my WIP.

Book cover for Lisa Cron's Story GeniusLisa Kron’s Story Genius. On my wishlist.

Appetizer: Her downloadable “Top 11 Takeaways from Story Genius” here in exchange for your e-mail.Or listen to The Creative Penn podcast (or read the transcript): “Take Five with Lisa Cron.

 

 

book cover for Donald Maass's The Emotional Craft of FictionDonald Maass’s The Emotional Craft of Fiction. I heard him speak at a workshop once and I love his Writing the Breakout Novel workbook. He gives concrete advice. Inspiring.

Appetizer: Read an excerpt on Writer Unboxed.

 

 

Feeling overwhelmed? 😉

  1. Pick ONE thing to try and see if you like it.
  2. Follow Donald Maas’s advice: “Does it make your scene better? Then put it in.”
  3. Send it by your beta readers to test.
  4. Repeat.

Feeling any better about your manuscript? Let me know in the comments below. I’m always looking for new insights.

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Laurel Decher

LAUREL DECHER writes stories about all things Italian, vegetable, or musical. Beloved pets of the past include "Stretchy the Leech" and a guinea pig that unexpectedly produced twins. She's famous for a nonexistent sense of direction, but carries maps because people always ask her for directions. When she's not lost, she can be found on Twitter and on her blog, This Is An Overseas Post, where she writes about life with her family in Germany. She's still a Vermonter and an epidemiologist at heart. PSA: Eat more kale! :) Her short fiction for adults, UNFORESEEN TIMES, originally appeared in _Windhover_. Photo: © Jane Joo Park, 2017.

2 thoughts on “Tools: Emotional Connection in Fiction Part 2”

  1. This looks like a great post – haven’t read it all yet because I wanted to let you know that when I click on your infographic (six ways…), it just takes me to the page I was already at. Unless I’m doing something wrong?

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