Mom always said there were two secrets to pie crust: “Be firm and don’t fuss.” For your novel’s first draft, structure works the same way.
Tinker all you want with the outline and with the revisions (LATER ON), but for now, pick a direction and write on!
Momentum is the power of NaNoWriMo. Go with it. 🙂
That said, 50,000 words can get unwieldy. A sentence on an index card can be a lifesaver.
If your raw ingredients are coming together, try creating a pitch: Who’s the main character? What does s/he want? What stands in his/her way? Why does it matter? More on pitches here.
It helps if you treat a pitch as a puzzle. Work on it for ten minutes and let it rest for a day or two. Then play with it a bit more. Collect some more stuff. Jiggle it around and see what shakes out. Write like you mean it and then leave it to chill.
Have fun and let me know how it’s going!
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This is the fourth post in my Writing Gratitude Countdown. It’s a series about people who’ve helped me on my writing journey so far. I’m taking a moment to say a heartfelt thank you!
a. How critique works: The earliest critique group I can remember was in high school, in my Creative Writing class. I think my beloved and brilliant writer friend Zina got me to sign up. Mrs. Chloe Vroman and her Creative Writing class at Provo High School. This is where I learned that it’s easier to see inside someone else’s story than inside your own. And that the right critique can open up the story for the writer. I wish I’d said thank you before it was too late! 😦
b. How a group works:Smart and funny Colin Ryan led me to my first critique group in Vermont, led by lovely, hospitable Margie Sims. As well as sharing her writing expertise, she modelled simple organization, communication, snacks, structure. Later, the group became a collaboration between me and the industrious and highly capable JoAnn Carter. All of them taught me how to make a safe space for writers.
c. How writers can sabotage their own success and how critique partners (CP’s) can save them: At the Ockenga Writers Publishing Workshop, I found another group of thoughtful, generous readers. (I wrote more about the Workshop here. My dear friend Eileen first invited me there and it changed my life.) My patient CP’s put up with my unconscious but annoying thrashing* until I finally learned to stop it.
We encouraged each other to keep on going and believe in each others’ work. A vote of confidence is so valuable! Thanks a million million Girard and Jeanne Doyon and Lisa Morrison!
*thrashing–the neverending revision of a single piece of work, generally prompted by waiting for someone else to tell you what your story should be about.
d. How critique groups raise the bar: I’ve written about how I became a part of The Winged Penhere. This group of power writers is the epitome of “set your sights high.”
I call this the calculus factor after the feeling I had when the girl next to me in calculus class asked questions until she understood everything on the chalkboard. It opened my eyes: “Oh, we’re actually supposed to know this so we can use it.”
Gratitude is an interesting lens. The more I look through it, the more I see how I’ve been helped. When writing is a wall that blocks the way forward, it’s useful to remember what kinds of help are possible.
Another unexpected benefit: it’s fun to reconnect to people I’ve lost track of. I’m enjoying the successes of my long-lost friends and mentors! Well done, all of you! It’s an honor to know you.
If you’d like to share about people who helped you see your own work clearly, please feel free to comment. I’d love to hear about it!
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If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I share new middle grade fiction, story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.
