Surprise Visit to a Local Printer in Germany: Druckerei Paffenholz in Bornheim

 

A week or so ago, I went into a small toy and stationery store to make a photocopy. There was a huge sign over the door “DRUCKEREI PAFFENHOLZ” and since “Druckerei” means printer, I thought I’d find a copy shop. (LOL!)

“The office is in the back,” the salesperson told me, so we went through a door and walked past a row of large printing machines.

This wasn’t a mere copy shop.

But when I asked about a small print job, Mr. Paffenholz offered us a tour of the whole place.

Yes, please! 🙂

Later, I found out this family business has been active for 50 years! That’s a lot of paper and ink.

More than a tiny copy shop–this is a printing press! They are sitting on the machine that looks like a train that does the four-color printing. Source: https://druckerei-paffenholz.de/

The first step in producing a printed book is a shoot-out: the pages are “ausgeschossen” which means literally “shooting the pages out”. It’s not the wild west, it means the pages are laid out for printing on larger sheets. Some pages are right side up and other pages are printed “standing on their heads” so that the pages will all be in the right order and orientation in the finished book.

 
This is a shoot out–pages laid out for printing. Source: https://druckerei-paffenholz.de/

For this, the printer uses a digital printing machine that uses the same technology as “print-on-demand” and handles very short print runs, like groups of 50 or 100. I think they also use this machine to check the incoming InDesign files and print-ready PDF files that come directly from customers or from their in-house graphic designers.

Then we toured the off-set printing process.

Here comes Y for yellow! Source: https://druckerei-paffenholz.de/

The next step was a machine that creates the metal plates for the four-color printing process (CMYK or Cyan, Magenta, Yellow or Key–short for Black). One aluminum plate is etched with the design for each color. Later, the metal plates are recycled.

Of course, I was trying to imagine how I could make a coffee table or something out of them, if I ever had a book printed on an off-set press! Authors are a little strange.

The next machine was shaking a stack of pages together to make them even. It’s like what you do when you bang a ream of paper on the counter to make it “square.” Every so often, the machine operator added a heavier piece of construction paper to the pile. I’m not sure if that was to separate each edition of the book being printed or if it was to weigh the other pages down.

Another machine cuts the pages to size once they’ve been shaken together.

One of the older specialty machines that can punch or emboss (or create braille??). Source: https://druckerei-paffenholz.de/

Older machines in the back of the hall could still handle embossing, punching, glue-ing. I’m not sure if they can do Braille, maybe not.

Wouldn’t you love to have a Braille edition of your book? Oh, look what Google found for me: http://www.braillebookstore.com/Braille-Printing Now I have a new ambition. 🙂

Then we went back up to the room-sized machine that prints the CMYK colors using the metal plates created by the other machine. When the metal plates are wet, the etched design is the only thing that takes up ink. Each metal plate does one color.

The paper travels through four connected printing machines like a ticket collector going through the cars of a train. (See photo of company staff above.)

Dodging a small fork-lift, we looked at the control station where the printer adjusts the color settings until they get the effect they want.

“What do you think? A little more Cyan?”

The folding and stapling machines to make the finished brochures and booklets were last on the tour.

Coils of wire for stapling. Source: https://druckerei-paffenholz.de/
Folding machine in action. Source: https://druckerei-paffenholz.de/

NOTE: I didn’t have a camera so I couldn’t take photos even though Mr. Paffenholz gave me permission. The photos here are all from the Druckerei Paffenholz website.

When I got home, I found this book, a perfect combination for a printing family that runs a toy and stationery store!

Hope you enjoyed the tour!

I wonder if this Paffenholz is in the same family of printers? Definitely a book I want to check out! The title means: Bookbinding for Children: from simple lightning book to spy notebook.

_______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I share a new book recommendation for readers ages 9 to 12, story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

Until December 3, 2018, use this link to sign up, so you get your free copy of TROUBLE WITH PARSNIPS. Thanks for your interest!

The Reading Wonder Giveaway for Middle Grade eBooks includes LOTS of middle grade authors, check it the whole giveaway here.

“Veggie of the Week Challenge” in honor of the upcoming holidays and my new children’s book

My first book for 9-12 year olds, TROUBLE WITH PARSNIPS, made for some extremely casual (be kind, people!) meals at my house.

Winter is coming, as they say, and the attention span for cooking vegetables is getting shorter. The garden is closing down and the holiday shopping list is ramping up!

So, I have a suggestion:

TADA!!!

*****************************************************

The Veggie of the Week Challenge

*****************************************************

To keep my family from becoming poor and wan while I work on my second book, I’m committing to serve up a half-way healthy*, cheap, vegetable dish to the exacting pool of eaters at my house once a week.

Feel free to play along in the comments! Go ahead, show me how it’s done. Your inspiration is welcome!!!

Here are the “rules”:

No recipes will appear here in their entirety. Forget the step-by-step! You are artistes, are you not? (I can’t follow recipes, but I’ll let you know if I refer to any.)

No holds barred. If the crew gives the thumbs down or orders out for pizza, you’ll get the details here.

At least one inexpensive vegetable must appear in the meal. (Honor of an epidemiologist!)

*half-way healthy means an attempt at lower fat and whole grains will be made, but cream and cheese will inevitably appear. You’ve been warned.

Our first vegetable victim was cauliflower.

The run-down: 1 whole cauliflower broken into flowerets, the least expensive Swiss cheese available, grated, the quiche formula from The Enchanted Broccoli Forest cookbook, modified for my giant quiche dish.

Quiche crust from a food processor cookbook I got from the library once (mea culpa!): 1 1/2 Cups flour, 1 stick frozen butter cut into pieces, whirr it up and add 1/4 C water you put in the freezer for a few minutes. Press the crumbs onto the sides and bottom of your pan and make a decorative edge to keep it from burning. Wanted to add red pepper for color but no time, so I sprinkled paprika on top.

Half-way healthy: Buttermilk instead of milk to fool *cough* family into thinking they were getting cream. Added chopped parsley from windowbox into crust (Vitamin C) and put in 1/2 C whole wheat flour with 1 C white flour.

Cheap: No expensive ingredients. (What?! You want me to show my receipts?)

The vote: Thumbs up!

white casserole dish with quiche sprinkled with paprika
Speedy Cauliflower quiche. © Jan Decher, 2018.

Will they make it through the holidays? Tune in weekly to find out.

______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I share new middle grade fiction, story-related freebies, and/or related blog posts. If it’s not your thing–I know, you’re all about the veggies–you can unsubscribe at any time.

 

Life’s soundtrack should be big: Rossini Opera Festival makes a splash

Front door of Rossini Theater with palm tree and poster for Rossini Opera Festival
Tchaikovsky’s Romeo and Juliet is on the radio and I’m thinking about emotion in music and the Rossini Opera Festival in Pesaro, Italy. © Laurel Decher, 2017.

The Rossini Opera Festival in Pesaro, Italy was over the top! I love watching live orchestras and this one had 5 string basses. 🙂 And the audience was as fun to watch as the opera!

I didn’t expect a fashion event. Of course people are well dressed at a fancy cultural event, but there was so much creativity in people’s outfits. Italy takes fashion seriously.

Black "flat" shoes with sequins and bow ties in three places.
These beautiful sparkly shoes would please any Dorothy or reform any Wicked Witch.

La pietra del paragone was set in a wealthy Duke’s house, complete with swimming pool on the stage. In the opening scene, the cast sang while wearing 1950’s swimming suits in bright colors.

How can you sing, fall into a pool, come up dripping, and sing some more? Don’t people have to breathe?

The comedic characters were dressed in ever more extreme fashion with amazingly clashing shades of salmon and mustard. Of course, the hero and heroine got more and more elegant.

I’ve always enjoyed the comedy of Gilbert & Sullivan operettas and accessible operas like Carmen and The Magic Flute. This performance made me feel that singing at the top of your lungs is the only way to live.

Things are going on in the world. Make a noise! Belt it out! Articulate at top speed! And dress up. 🙂

Is what we mean by catharsis? I thought the “sense of relief from extreme emotions” only applied to tragedies. This wasn’t one.

When my mom was getting chemotherapy years ago, she listened to Wagner’s complete Ring Cycle. At the time, I wondered if that would ruin the music for her. But I think it was a way to give a heroic backdrop to a life and death battle.

Life is ridiculous and tragic and heroic. Opera with a swimming pool is just the ticket.

______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I share new middle grade fiction, story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

Save

Save

Save

Save

Save

Save

Save

Contrast with Apple Blossoms, Bach, and Story

These apple blossoms and buds look like visual staccato and legato notes.

Sometimes learning something that you had given up on changes your whole view of the world. James Rhodes’ How to Play Piano teaches rank beginners how to play J.S. Bach’s Prelude in C Major. I never learned to read the bass clef and I’ve really been enjoying this attempt. It makes you wonder what else is still possible.

Rhodes suggests listening to the following musicians play the Prelude. They all interpret it differently:

All of those versions got me thinking about contrast in fiction. While down the YouTube rabbit hole about what that middle pedal on the piano is for, I discovered Robert Estrin’s virtual piano lesson about using short (staccato) and long (legato) notes to bring out the melody in Beethoven’s sonatas.

It’s got me wondering how I can bring out the main story arc using contrast in fiction. There are lots of things to try:

  • Rhythm: Short and long sentences
  • Pacing: Dialogue, action, exposition
  • Setting: Light/Dark, Loud/Soft, Hectic/Peaceful

It all ties into Friday’s post on The Winged Pen about a Setting Exercise from The Rural Setting Thesaurus. Rebecca Smith-Allen’s post on the The Urban Setting Thesaurus is up today.

I’d love to know what you think about this. Have you consciously built contrast into your stories? Or do you have favorite examples from your reading? Feel free to share.

_______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I share new middle grade fiction, story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

 

 

Save

Save

Save

Save

Save

Save

Save

Tame Your Revision Step-by-Step: SLICE AND LABEL with Scrivener

tameyourrevision

Revising a novel is a form of bookkeeping. How do you keep from losing your mind? At The Winged Pen, we’re talking Revision. You can read the overview and download the infographic here.

To go along with the Winged Pen’s post, I’m attempting a “how-to” series. Let me know how you like it.

If you find yourself in a revision rut, may this jog your creative process back onto the smooth road.

If you’re not a Scrivener person, feel free to adapt to your tool of choice. There’s more than one way to slice and dice a manuscript! 🙂

Here’s how I SLICE AND LABEL in Scrivener:

  1. Select the chapter(s) or scene(s) I want to revise today. In the screenshot below, I’ve selected the chapter “A Delayed Party.”
  2. Duplicate the chapter folder including the scenes inside the folder and give it a new name. Scrivener just adds the word “copy” to the end of the name.

Screen shot of Scrivener menu, Documents--Duplicate--With subdocuments and unique title
How to duplicate files in Scrivener

3. Read through the chapter and see what’s happening. For example, “Conversation about goldfish.” Or “Transition to Castle.” I don’t make a judgement about whether its worthy to stay in the story. Just label and move on.

In the screenshot below, I’ve highlighted “Mamma had noticed!” as the beginning of a conversation about goldfish. Scrivener offers me the choice of “at Selection” or “with Selection as Title.”

Screenshot of Documents--Split--At selection
How to slice and dice your manuscript in Scrivener.

 

I choose “with Selection as title” and Scrivener creates a new text with the title “Mamma had noticed!” I can click on the label and change it to Conversation about goldfish if I want.

screen-shot-2017-02-28-at-9-29-23-am

4. Put like things together. Write new connections. Once all the pieces are labeled, it’s easy to see where you’ve covered the same thing twice. I lift out the pieces I want, leaving the throat-clearings and engine-startings behind. Add transitions if needed.

5. Merge everything together. Scrivener will put “A prank” and “Mamma had noticed!” together and label them “A prank.” You can change that after the merge by clicking on the name and typing over it.

Presto! A nice tight scene with all the ingredients you need to move your story forward.

Screenshot of Scrivener Documents--Merge. The selected files on the left are highlighted in blue.
How to merge the good stuff together again in Scrivener.

_______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I recommend a new middle grade book, and share story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

 

 

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Tools: Emotional Connection in Fiction Part 2

photo of compartments under the lid of a piano, paintboxes, brushes, sewing things
A piano with built-in toolboxes for sewing and putting on make-up. Andreas Landschütz, 1820. MAKK museum in Cologne. © Laurel Decher, 2017.

Last week I wrote about the challenges of making your reader feel the emotions of your main character. This week, the thrilling conclusion.

Challenging feedback doesn’t have to derail your writing. I’ve got tools for us. 🙂 Just don’t try to use the whole toolbox for every scene. That way lies ruin. *cough*

book cover for Karl Inglesias' Writing for Emotional ImpactKarl Iglesias’ Writing for Emotional Impact. There are SO many powerful tools in this book that you’re sure to find a way to add that zing.

Appetizer: Six techniques from this book with examples from Nancy Cavanaugh’s middle grade This Journal Belongs to Ratchet in this blog post. Download my infographic six ways to reveal character here.

Book cover for Mary Kole's Writing Irresistible KidlitMary Kole’s Writing Irresistible Kidlit. A variety of craft advice all in one place. It’s aimed at the children’s book author, but much of it is applicable to all fiction. Her Emotional Plot made me understand that story circumstances = emotion.

 

 

Book cover for The Emotion ThesaurusAngela Ackerman and Becca Puglisi’s The Emotion Thesaurus. This is the ultimate grocery store for thoughts, physical reactions, body language, and facial expressions. An excellent starting point to build in body language and thoughts that show the reaction your character is trying to hide from everyone else. Right after you let the reaction leak out, then you can show the character hide it.

Appetizer: Read more about how to use it at the Winged Pen.

 

book cover for K.M. Weiland's Structuring Your NovelK.M. Weiland’s Structuring Your Novel has the clearest explanation of how to construct character reactions I’ve seen. When readers internalize what the main character wants, they can identify with them. The clearest way to get emotion across is to show your character’s thinking.

Appetizer: My infographic based on K.M. Weiland’s book is here.

And there are two new recent books I haven’t read, but they are both on my wishlist! I’m promising myself one of them as a prize when I finish the revision of my WIP.

Book cover for Lisa Cron's Story GeniusLisa Kron’s Story Genius. On my wishlist.

Appetizer: Her downloadable “Top 11 Takeaways from Story Genius” here in exchange for your e-mail.Or listen to The Creative Penn podcast (or read the transcript): “Take Five with Lisa Cron.

 

 

book cover for Donald Maass's The Emotional Craft of FictionDonald Maass’s The Emotional Craft of Fiction. I heard him speak at a workshop once and I love his Writing the Breakout Novel workbook. He gives concrete advice. Inspiring.

Appetizer: Read an excerpt on Writer Unboxed.

 

 

Feeling overwhelmed? 😉

  1. Pick ONE thing to try and see if you like it.
  2. Follow Donald Maas’s advice: “Does it make your scene better? Then put it in.”
  3. Send it by your beta readers to test.
  4. Repeat.

Feeling any better about your manuscript? Let me know in the comments below. I’m always looking for new insights.

_______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I recommend a new middle grade book, and share story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Are you feeling it? Emotional Connection in Fiction Part 1

photo of compartments under the lid of a piano, paintboxes, brushes, sewing things
The perfect piano for a tiny house? This one has built-in toolboxes for sewing, painting and grooming. Andreas Landschütz, 1820. MAKK museum in Cologne. © Laurel Decher, 2017.

An accomplished novelist friend recently got feedback on a manuscript that was heartbreakingly familiar to me.

“I like it but I’m not loving it.”

Ouch. I know just how that feels.

For years, I worked on a manuscript that repeatedly got the critique that readers couldn’t connect with my main character’s emotions. The feedback was inexplicable and painful because I didn’t have any tools to address it with.

Over time, it started to feel like a personal attack. They were all after me. There was something wrong with me as a writer. I had the wrong feelings. Or I didn’t have feelings. Or I didn’t show them properly. Or something. You know the voices.

A brief non sequitor: getting obsessed with adverbs or gerunds or passive voice or what have you may lead to such controlled language that the emotion is beaten out of it. *cough*

A comment like “I like it but I don’t love it” can hurt so much. But they don’t have to. It might be time to let your story out to dance or skate or sing. Here are three mini-stories that helped me see emotional reactions in a whole new light.

 1. A musical interlude: One day in high school, I was practicing a piece of music in the empty band room and the band director walked through and tossed off a comment about playing with more feeling: “It’s okay. You must have just gotten that piece.”

I played a line or two again for him, putting my feelings into the music. He shook his head.

Puzzling.

My feelings were evidently wrong. But how can a person fix their feelings?

Now I realize he wasn’t asking me to feel the music. He wanted me to use technical skill to let the listener feel the music.

2. A skating interlude: Years ago, I read an autobiography of a couple whose skating pair routines moved audiences to tears. In My Sergei, Yekaterina Gordeyeva writes about the demands of creating an emotional experience for the audience. While performing, they were working far too hard to be feeling all mushy.

Look at all the technique to communicate emotion in this pairs skating routine. Or this one with a stronger female lead and lots of passion. Or this one based on Rodin’s The Kiss and skated by Gordeyeva and Grinkov.

(Thanks to Susan Gilbert-Collins for reminding me of the skaters’ names!)

3. Vanessa Van Edwards researched which TED talks go viral. She noticed that two excellent talks, released at the same time of year, found completely different success. One found a small audience and the other exploded.

Talks that went viral had LOTS more gestures than the ones that didn’t. The number of gestures are a measure of the speaker’s commitment to his or her topic and to the desire to communicate it to the audience.

They are also a measure of the speaker’s skill.

Gestures, body language, and words that match communicate much more.

Communicating emotion in a story is a skill. The novelist’s craft includes so many ways to move the reader: foreshadowing, characterization, story structure, dialogue, body language. So if you get this feedback, reach for your tools.

In next week’s post, I’ll recommend some brilliant toolboxes you’ll love.

What about you: Have you gotten feedback that stumped you for a while? How did you handle it? Or have you got favorite tools to add feelings to your WIP? Go ahead and share in the comments.

_______________

If you’d like to stay in touch, sign up for my Reader’s List. Once a month, I recommend a new middle grade book, and share story-related freebies, and/or related blog posts. If it’s not your thing, you can unsubscribe at any time.

 

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save