Contrast with Apple Blossoms, Bach, and Story

These apple blossoms and buds look like visual staccato and legato notes.

Sometimes learning something that you had given up on changes your whole view of the world. James Rhodes’ How to Play Piano teaches rank beginners how to play J.S. Bach’s Prelude in C Major. I never learned to read the bass clef and I’ve really been enjoying this attempt. It makes you wonder what else is still possible.

Rhodes suggests listening to the following musicians play the Prelude. They all interpret it differently:

All of those versions got me thinking about contrast in fiction. While down the YouTube rabbit hole about what that middle pedal on the piano is for, I discovered Robert Estrin’s virtual piano lesson about using short (staccato) and long (legato) notes to bring out the melody in Beethoven’s sonatas.

It’s got me wondering how I can bring out the main story arc using contrast in fiction. There are lots of things to try:

  • Rhythm: Short and long sentences
  • Pacing: Dialogue, action, exposition
  • Setting: Light/Dark, Loud/Soft, Hectic/Peaceful

It all ties into Friday’s post on The Winged Pen about a Setting Exercise from The Rural Setting Thesaurus. Rebecca Smith-Allen’s post on the The Urban Setting Thesaurus is up today.

I’d love to know what you think about this. Have you consciously built contrast into your stories? Or do you have favorite examples from your reading? Feel free to share.

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Laurel Decher

LAUREL DECHER writes stories about all things Italian, vegetable, or musical. Beloved pets of the past include "Stretchy the Leech" and a guinea pig that unexpectedly produced twins. She's famous for a nonexistent sense of direction, but carries maps because people always ask her for directions. When she's not lost, she can be found on Twitter and on her blog, This Is An Overseas Post, where she writes about life with her family in Germany. She's still a Vermonter and an epidemiologist at heart. PSA: Eat more kale! :) Her short fiction for adults, UNFORESEEN TIMES, originally appeared in _Windhover_. Photo: © Jane Joo Park, 2017.

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